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Naz must contend first with contacting and then dealing with family members back in Iran, and later, with staying alive, and following the siren call south.
Arrows will be shot. I think the book asks that question a lot, you know, what can you lose and still be you? What would make you not you anymore?
So they seemed to fit together really well, even though they're very different things. In a piece for Tor. But still, we are used to there being at least some attempt to assign the cause of our group demise to an identifiable, and presumably preventable or curable, agent.
Viruses viri? The inclusion of magic shifts the narrative significantly. But when the source is non-scientific, the usual story line changes significantly.
Magic just is. You may be challenged to figure out its source, or how to use the magic, but it is presented here as a fait accompli.
No backsies. But shadowlessnes comes with a surprising side-effect, a strange form of magic. Did you recognize that as you were writing this?
PS - I did, not at first. And the further I got into it, especially upon revision, reading the whole thing and seeing how everything fit together, I really did see the parallels.
Max leaves Ory in order to protect him from what she expects to become. Ory is determined to follow her, to find her, and at least share her final days as herself.
What would you do to help the love of your life, before they become a mere shadow of their former selves? So, a love story, but also a road trip of self-discovery self-forgetting?
Ticking a lot of boxes here. One cannot have an entire book about missing shadows without calling in at least a mention of Peter Pan. In a much larger way the saying an elephant never forgets comes in for some attention.
A motif that permeates is varieties of communication. Is it possible, for example, for one consciousness to share memories with another consciousness, even though the two did not experience the same event?
Are books means of communication alone or can they hold more? What about audio recording? And where does the essence of the thing recorded, in whatever form, diverge from the person who recorded it?
There is no mention of a shadow economy. Small bits of the eerie are inserted here and there. Unexplained strange things occur just out of sight, Ory heard something inhumanly heavy cross the interstate, walking over the top of it instead of below.
Peter and his wandering shadow — image from Buzzfeed The primary characters in the book are drawn well enough. I would have liked a bit more on their individual histories, but my ARE comes in at pages, and it is understandable that we are given what we need to sustain interest and keep things moving.
While I can enjoy the unknowable when used as a Maguffin, I do prefer that authors make at least an attempt at explaining why such-and-such happens.
But the joining together of fascinating concepts is magnificent. It may be the dystopian love story that keeps things moving along, but the strength of this book is the ideas.
It is immensely creative. I would also take the combat scenes seriously. Before she opted to pursue writing as a full-time gig, Shepherd worked for Aegis Defence Services.
One of the things that I did was go to Iraq. I was in Baghdad and Basra and then up north in Erbil and Sulaymaniyah. There were some pretty tense situations there.
It was such an amazing place, so amazing, but yeah, there were some really tough situations there and actually, there was a moment, there was a rocket attack that happened very close to us and that was actually the moment that made me really decide that I should write this book and really go for it….
It was like, you have to try. You have to do the thing that you have wanted to do your whole life. You got to do it now. View all 40 comments.
Shepherd has crafted a gripping, multi-faceted debut here, a dystopic future novel that goes well past the expectations of the genre.
I admired the textual experimentation of this measured book, as various symbols, fonts, and perspectives try to get across the lives of the characters, who mix emotional heft with sudden, rapid action.
The leads, Ory and Max, are wonderfully drawn and make for an excellent emotional core. In this world, if someone's shadow disappears, they will soon be consigned to Shepherd has crafted a gripping, multi-faceted debut here, a dystopic future novel that goes well past the expectations of the genre.
In this world, if someone's shadow disappears, they will soon be consigned to forgetting all that they knew, turning into mysterious, frightening figures.
The book opens with Max losing her shadow after two years of hiding with her partner Ory, and Ory desperately trying to enact a system of rules to protect her.
This Robinson Crusoe section is wonderful, but after the two are, inevitably, separated, they each wind their way through a strange America that seems totally understood by Shepherd.
This is an iceberg book whose logic and world-building are apparent at all times. There are many supporting characters who play into the action and exposition, and I admired the ambition of this book for jumping into so many different voices and perspectives until everything collapses together at the finale.
I refuse to forget. It took all of me, but I refuse to let it have the last thing,which is you. I remember you. I remember your name. View all 15 comments.
The first sentence immediately grabbed my attention I felt punched in the gut with the last sentence in chapter They search for a cure - love - connection - and hope.
The eerie universe the author has created is original and fascinating!!! This moment makes a persons shadow disappear for a few minutes. They lose their memories, too It made me wondered about love -how they experienced it with their memories completely gone.
The realism was always right on the edge making this a very powerful read. I felt terrified at times - and the agony of surviving with minimal resources.
But, it was the sadness that lingered most. When so much is taken away - an aching feeling of love remains. It never leaves your side.
View all 50 comments. View all 8 comments. For reasons that never become known, shadows are disappearing, sometimes from an individual, sometimes whole cities at once.
Told by four linked characters, with a multitude of diverse experiences threaded through their stories, this book follows their course through a world fundamentally changed by destructive magic.
Flashbacks within each tale take the reader to the start of it all, when shadows were first lost. One shadow gone, then a group here, and another there.
Scientists are baffled. Religion is called into play. At this point, so did I. The situation is perfectly pitched, so realistic in the way each new piece of information is passed around the world, from person to person, with video clips uploaded and scrutinised, all kinds of rumours whispered.
When things start to go wrong, when people without their shadows begin to forget, the tentative panic and fear is equally genuine.
Just like an outbreak of some unknown virus, people are quarantined and studied. What becomes clear is that The Forgetting is more than just memory loss, the inability to remember what was or what is allows the shadowless to create their own reality.
And it is chilling. Eventually it disappears and you remain, stuck until you waste away in a box of your own creation. And if you forget to breathe?
Of course, the author plays fast and loose with any notion of rules. What about all the people that remembered the market?
If you can forget a place or person and it disappear, why would not remembering you need to breathe kill you, since not breathing would be the new reality?
Anyway, who cares, this bit was brilliant. Especially as all the usual pathways of societal disintegration in dystopian fiction is exacerbated to a ridiculous and wildly fun degree by this one hook.
Then at the halfway point it loses its cohesion. All of a sudden, it felt slow and I had to force myself to pick it up again. In fact, the whole book from this point was convoluted and bloated with unnecessary sidelines that read like creative writing exercises, shoehorned in to fulfil the requirements of the final battle for New Orleans.
Yes, an actual magical battle. The book morphs from dystopia to fantasy, from humanity facing a crisis to a city ruled by a blind man with an elephant shadow.
The sheer randomness feeds into the mounting feeling of pointlessness and disappointment. More than most dystopian fiction, this aims for literary adroitness, and for the most part, achieves it.
Parts are exquisitely written, with focused attention to the tiniest details of character and place. The author lost sight of both the characters and the plot in her desire to play tricks.
But the essential problem with disconnecting people from themselves, each other, and the world around them is that you remove the emotion that goes alongside.
By the end, even by halfway, there was none left. Ultimately, this is a book about forgetting that will be easily forgotten.
ARC via Netgalley View all 28 comments. Jul 27, karen rated it it was amazing Shelves: the-end , thanks-for-prezzies. A it was phenomenal, so i was doing myself a disservice, but more importantly, B this was a gift from my GR secret santa back in !
Bumping this book up to a five star read because I can't stop thinking about the fantastic story in the months since I've read it.
And I've also treated myself to a hardback copy of it too Definitely among my fav reads of This book was a revelation. From the start I did not know what was happening, how the story would develop or where it would end From page one I was thorough Bumping this book up to a five star read because I can't stop thinking about the fantastic story in the months since I've read it.
From page one I was thoroughly ensnared and did not want to put this down for a second. The premise for the book I think is genius; one day in the near future a man's shadow suddenly disappears in the middle of a market in India.
It's initially treated as a holy event but after a few days it's realised that the man has begun to forget everything about himself and the link between a person's shadow and the storage of their memories is made.
The phenomenon isn't just an isolated incident and soon this forgetting plague spreads worldwide causing complete destruction of life as we know it.
Flash forward a few years and shadowed survivors Ory and Max are trying to eek out a living for themselves in an abandoned resort in the American wilderness until Max loses her shadow and runs away.
The book follows their separate paths and their stories interlink with other characters to create a tale of love, hope and survival of all that is human but also interweaves this humanity with an unknowing darkness and magic.
And a cult. A reeeeeeally messed up cult that were so freaky and bonkers and Just a brilliant piece of storytelling really.
Honestly, the first half of this book creeped me out. It did such a brilliant job of describing how it must feel to be losing your memories and how once you give in to that loss you can use this forgetting power to unlock a sort of magic that the power of mind can have I loved the characters in this book.
They were fantastic. I really rooted for them all to succeed in their journeys and to hopefully figure out for once and for all what was happening.
They were so brilliantly human. And I loved how these groups of strangers came together to really show what the human spirit is all about.
It was utterly terrifying. I simply won't divulge anything more about it because going into this book and discovering all for yourself is an utter joy and I really don't want to rob anyone of that experience.
But top notch writing for sure. One of the things I love about science fiction writing which I suppose this is Could possibly class it as dystopian too??
Anyway, one of the things I loved about this book is that it could almost happen. Obviously some crazy stuff has to occur but the characters, the world they are inhabiting initially It's our world.
The world building in this is initially our version of events it obviously evolves as more chaos and destruction occurs but still..
Starting point is us. And that to me adds this wonderfully terrifying and grounding dynamic to the storyline. This could almost be true. We could all wake up tomorrow to the news that someone had lost their shadow and this could become our truth.
And a book that makes you think like that even for the briefest of moments A quality book! Okay, as the story developed into the second half and I begin to understand more about what was going on some of that feeling of terrified wonderment wore off but I was ultimately treated to a very satisfying story filled with myth and legend made real.
And an ending that Loved it. Highly recommended, very strong four star read. View all 12 comments. Sep 09, Zoeytron rated it really liked it Shelves: public-library.
Power grids are down. People are losing their shadows, and with them, their memories. New Orleans beckons.
A one-eyed amnesiac, the power of a peanut butter and jelly sandwich, lakes that come and go as they please.
There is magic out there, as evidenced by singing trees, conversant tattoos and wolves. As your shadow tethers you to earth, the value of memories has never been higher.
View all 20 comments. Story: hmmmm. Loved the first half, major Bird Box vibes mixed with a good dose of Station Eleven. I see why so many people have raved about this book, but I can't say I loved it.
I did admire the beautiful writing and gorgeous book cover! I love books that are not easily classifiable — and this is just that. It is speculative fiction but also incorporates a feeling of magical realism, it is a romance and it is really not , it is just absolutely lovely.
I adore the premise above all else: at some point in the not so distant future people start losing their shadows and with them, slowly but inexorably, their memories.
First the small things but then bigger and bigger things until they forget to breath. With the loss of memories co I love books that are not easily classifiable — and this is just that.
With the loss of memories come weird powers: if a person without a shadow remembers something wrong, that thing becomes just so. Peng Shepherd uses this to create achingly beautiful scenes that edge on unsettling.
The book is told from four perspectives: - Orlando Zhang Ory , whose wife has just lost her shadow and left him behind, is single-minded in his pursuit of his wife, - Max, his wife, is losing her memories and keeps recording herself speaking to her husband to make sure she does not remember him wrong, - Mahnaz Ahmadi, an Iranian archer, is stuck in Boston, far away from her family and most importantly her younger sister.
My favourite parts by far were those concerned with Max — her journey into forgetting is mesmerizing and her resilience is wonderful. Spending time in her head made what was happening on a grander scale much more personal and affecting.
I also loved spending time with Ahmadi — I love sibling relationships anyways and hers just made me weepy.
My problem lay with Ory and his perspective encompasses the bulk of this book — he did not feel like a fully formed person to me. For most of the book he is single-minded in his pursuit of Max, never pausing, never considering her as a person in her own right, to be honest.
I have some spoilery thoughts that might explain this but even so, I never really got along with his point of view — even though some of the most stunning scenes were from his perspective.
Overall, I adore the way Peng Shepherd structured her book — I am often a huge fan of multiple perspectives and here they are handled expertly and with a brilliant sense of timing.
I thought her language flowed beautifully and her imagination is just breathtaking, many scenes unfolding cinematically in the best possible way.
Her use of imagery and colour really added to this already wonderfully layered story. I received an arc of this book courtesy of NetGalley and HarperCollins in exchange for an honest review.
You can find this review and other thoughts on books on my blog. Jun 18, Krista rated it it was ok Shelves: Where did the shadows go?
Ory wondered. He didn't even care about the why any more. Only the where. The why was inexplicable.
Ory didn't believe in magic, but he knew in his heart that what had happened was nothing that could be understood by humans.
It was no natural disaster, no disease, no biological weapon. The best name he'd ever heard for it was curse. Because in the end it didn't matter who you were.
No one escaped — either because they were someone who lost their shadow, or because they Where did the shadows go? No one escaped — either because they were someone who lost their shadow, or because they were someone who loved someone who lost their shadow.
In The Book of M 's future world, through some inexplicable and magical process, people start to lose their shadows, and with them, their memories.
And sometimes when a shadowless person misremembers something, people and objects and places can be transformed into monstrous, nightmare versions of themselves.
The Red King was the size of two men, over ten feet tall, wearing a scarlet cloak of a hundred layers and haphazard armor made from whole, bent steel doors.
A human skull could fit inside each scarred, crimson hand. Red dripped off him from everywhere, leaving trails behind him. When rumours and graffiti all seem to point to the presence of a mysterious prophet in New Orleans, those with shadows and those without begin a pilgrimage that see the storylines converge.
Later, he came to have many names. The Stillmind. Patient RA. Last, most important of all — The One Who Gathers. But in the beginning, he had no name at all.
This convergence made me think of Stephen King and The Stand ; and being Stephen King, he can be forgiven for bringing in supernatural elements; for setting up an ultimate battle between good and evil but even he had his dystopia start with a simple virus.
But that ultimate battle isn't really what author Peng Shepherd is going for in The Book of M — and my biggest complaint would be that I don't know what she was going for.
And post-apocalyptic fiction can make for fun and adventuresome storytelling as in The Passage or The Strain , but there have to be rules : inexplicable transmission and human people suddenly being able to transform reality with their minds drain the tension for me and those were my biggest complaints about The Marrow Thieves , too; The Power followed rules , so it worked better for me.
Okay, let's accept that people can lose their shadows, but how or why are memories stored there?
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